美国美奇MACKIE:1604VLZ3 PRO 16路调音台_调音台,数字调音台,模拟调音台尽在香港百利恒国际有限公司

产品类别：调音台

产品名称：美国美奇MACKIE:1604VLZ3 PRO 16路调音台

产品价格：面议
关键词：调音台,数字调音台,模拟调音台
产品说明：香港百利恒国际有限公司提供美国美奇MACKIE:1604VLZ3 PRO 16路调音台产品信息,包括美国美奇MACKIE:1604VLZ3 PRO 16路调音台产品详细介绍,美国美奇MACKIE:1604VLZ3 PRO 16路调音台产品参数，3D图库等信息，显示的美国美奇MACKIE:1604VLZ3 PRO 16路调音台图仅为参考,购买请以美国美奇MACKIE:1604VLZ3 PRO 16路调音台实物为准.

美国美奇MACKIE:1604VLZ3 PRO 16路调音台技术参数

美奇MACKIE 1604VLZ3 PRO 16路调音台

VLZ PRO系列采用紧凑型设计，可在中小型扩声工程及录音场合使用。
VLZ——超低音阻抗电路技术，使系统噪声降至最低
XDR 话筒前置放大器
等响度声像控制
18dB/oct 75Hz低切滤波器
经久而用、手感平滑的60mm对数式衰减椎子
内置电源设计，48V幻像电源
简单、精确的通道电平设置
通道信号衰减前/后单独选听功能
控制室/耳机多声源选择监听
噪声 <-84dBu
总谐波失真 <0.0007%
通道串音
衰减度 <-85dBu
响应频率(20-60KHZ) 0/-1dB
话筒
输入阻抗 1.3KΩ
其它
输入阻抗 >10KΩ
RCA录音
输出阻抗 1.1KΩ
其它
输出阻抗 120KΩ
话筒等效噪
声输入电平 dBm -129.5
耗电 25W
质量 8.3kg

How do you improve on perfection? The Mackie 1604-VLZ Pro has been the long-running favorite of audio professionals the world over for its sound quality, ease of use, and rugged dependability. Thousands of recordings have been tracked and mixed solely on a 1604. Designing a mixer to take its place was a tremendous challenge, indeed. But our engineering team thrives on this kind of stuff, so they tackled this one head on, creating one of the best compact mixers we’ve ever offered: the Mackie 1604-VLZ3.

While keeping the features and functionality of its predecessor, the Mackie 1604-VLZ3 offers even greater headroom than the original. We could have stopped right then and there, but we’re obsessed with perfection. So we redesigned the Mix Bus and made a few circuitry upgrades to the EQ, giving the 1604-VLZ3 a highly intuitive, more musical feel. Whether you need a live mixing board for club work, or a full-featured workhorse for home and studio recording, you owe it to yourself to check out the new Mackie 1604-VLZ3. You’ll think it’s perfect, too.

VASTLY SUPERIOR XDR2? MIC PREAMPS
Our new XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. They offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1604-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-level signals up to +22db, without any added coloration. You simply won’t find preamps this good on any other mixer in this price range.

PROFESSIONAL FEATURES
Don't let its size fool you. The Mackie 1604-VLZ3 mixer is packed with premium features on every channel; 75Hz Low-Cut filters, four Aux Sends, inserts, phantom power, constant-loudness Pan controls, OL (overload) and signal present LEDs, sub and main mix assign switches, and assignable AFL/PFL Solo switch. And since you can never have too many output options, we provided a Control Room/Phones source matrix, Master Aux section with EFX to Monitor, tape outputs, high-volume headphone amplifier, channels 1-8 direct outs, and balanced XLR and balanced/unbalanced TRS outputs.

THREE-BAND EQUALIZATION WITH SWEEPABLE MIDS
High-quality equalization is a must for any good mixer, that's why we didn't cut any corners when it came to our 3-band Active EQs—and why we include them on every channel. Tremendous resources went into optimizing the center points of the channel EQ. As a result, we put the Lows at 80Hz and the Highs at 12kHz. Midrange compensation is handled by a peaking control with a two-octave variable frequency center. This means the Mids can be swept from a low of 100Hz, all the way up to 8kHz—with a boost or cut of 15dB. This gives VLZ3 mixers practical, useful equalization, providing not only sonic enhancement and correction, but also the tone-shaping facility to actually improve the musical nature of the original signal.

SPLIT-MONITORING
With split monitoring, you can use the first eight channels for your sound sources: vocal mics, drum mics, etc. From there, the channels manipulate the sound, but are not assigned to the output section. Instead, they're patched from the channel's DIRECT OUT jacks to the corresponding multitrack input (DIRECT OUT 1 to multitrack input 1, 2 to 2, 3 to 3, etc.). The signals will now be recorded or passed directly through the multitrack, depending on each track's record-ready status.
The outputs of the multitrack are then patched to the next eight LINE inputs on the 1604-VLZ3 (multitrack out 1 to LINE input 9, 2 to 10, 3 to 11, etc.). Aha! That's why it says "TRACK 1" next to channel 9's fader, "TRACK 2" next to channel 10, and so forth. These channels (9–16) will be assigned to the mixer's output section, delivering the signals to their ultimate destination, which could be your mixdown 2-track, your control room system, or your headphones—making the 1604-VLZ3 a truly powerful 8-track recording console.

ROTO-WHAT
Our ingenious Rotopod VLZ adds a tremendous amount of diversity to the 1604-VLZ3—it’s like having several different mixers in one! The optional Rotopod is a finely crafted all-steel fixture that allows the 1604’s patchbay to be rotated to one of three unique positions. With the Rotopod kit you can configure your 1604 for desktop use with the jack field facing up, or out (standard, right out of the box). For rackmount installations, the Rotopod makes it easy to access the patchbay from either the front or rear of the rack. With the Mackie Rotopod, you get to choose the patchbay position that best suits your needs.

BUILT MACKIE TOUGH
Every VLZ3 mixer is built tough-as-a-tank. Our legendary solid-steel chassis can take the kind of abuse that would turn our competitors' flimsy boxes into twisted chunks of debris. Instead of cheap, unsealed potentiometers, we use co-molded pots, which offer substantial strain and impact relief. By design, our control knobs “ride” just above the surface of the chassis, so if something falls onto the mixer, the impact is transferred from the knobs to the chassis—not to the potentiometers or circuit board. Finally, we use thick, horizontally mounted fiberglass PC boards to eliminate the potential for damage and brace them with a shock-absorbing support structure. They’ve survived earthquakes, hurricanes and typhoons, so Mackie mixers can certainly handle whatever you throw at them.

SUPERIOR SOUND QUALITY
Above all, the 1604-VLZ3 offers superb sound quality, wide dynamic range and headroom, and low noise, so you can create professional quality recordings and/or broadcast-quality soundtracks. Whether you need a high-quality 16-channel mixer for the stage, the studio, or even the road, you won't find a a more perfect one than the 1604-VLZ3.