YAMAHA:02R96VCM 数字录音调音台_调音台,数字调音台,02R96VCM尽在香港百利恒国际有限公司

产品类别：调音台

产品名称：YAMAHA:02R96VCM 数字录音调音台

产品价格：面议
关键词：调音台,数字调音台,02R96VCM
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YAMAHA:02R96VCM 数字录音调音台技术参数

YAMAHA 02R96VCM 数字录音调音台

世界上最流行的数字制作一个控制台只是变得更加强大。
该02R96VCM调音台背后是雅马哈的生产是在一段时间内响应用户的需求：02R，在1995年首次亮相，也是雅马哈的2007技术格莱美奖，2002年的02R96和02R96根本原因演变混合器路线显现的声誉第2版发布于2004年。
设有56个输入通道和18个混合总线的数字调音台雅马哈02R96VCM采用了自定义雅马哈DSP7 LSI的令人印象深刻的处理能力，并提供了作为其投入和产出DM2000强大的渠道功能相同的数组。它的“选择通道”系统融合了同一个快速模拟数字调音台办公桌觉得可控性，直观的操作，当您需要它。关于02R96VCM头放大器模拟调音台功能输入级的后裔从DM2000的，随着来自世界各地的工程师开发的投入，提供透明的声音，非常适合专业领域。
想了解更多看一看在5插件包，给你带来的生产空间和工作场所的创造力。或考虑数字域的均衡器，压缩器，磁带饱和度和吉他效应氯乙烯插件提供了温暖和模拟电路的深度。雅马哈02R96VCM还拥有优秀的REV的- X的混响算法在SPX2000介绍。更重要的是，它配备了资讯系统策略的技术，使创建真实的声音领域容易，让您在控制台内，否则将需要外置效果的功能。

多功能V2的功能，以及一个强大的数组插件处理器
雅马哈02R96VCM数字混频器是02R96第2版，另加一项艰巨的数组国家的最先进的加工技术，提供全新的生产权。您现在已经从几个传奇模拟开放盘式磁带甲板，一个无与伦比的REV的- X的混响效果全套70年代，模拟经典的压缩和情商单位非凡娱乐，一环绕后期制作包是首屈一指的，并即使是选择老式踩箱子可以丰富您的混合物。而所有这一切是在您的指尖，在没有外部处理器需要修补。

VCM技术
VCM技术是典型的压缩机，均衡器，模拟磁带甲板负责，并在02R96VCM stompbox效果模拟。氯乙烯（虚拟电路建模）技术实际上模型的模拟电路的特点 - 一直到最后一个电阻器和电容器。 VCM技术远远超出了简单的分析和建模仿真的电子元器件和旧设备的声音。它的微妙之处是简单的数字捕捉甚至无法模拟方法的能力，而实际上是创造理想的例子抢手的老式装备。
资讯系统策略技术
资讯系统策略技术是向02R96VCM的令人难以置信的选择键环绕后期制作的效果。
资讯系统策略的意思是“互动空间声音处理”，是雅马哈的原新空间音效系统。通过广泛的研究和详尽的测试而设计，这项技术提供无与伦比的实际，可操作性和独创性的环绕声处理应用。它提供了前所未有的声场定位精度和通用性，以及现实的音源，操作简单，允许运动影响的模拟空间环境下几乎是无限的品种。

REV的- X的
“REV的- X”的背后是雅马哈的最新方案的混响和氛围一代先进的算法，提供了前所未有的深度和混响衰减光滑现实。 REV的- X技术利用了24位96千赫的混响和环境的影响具有令人放心的温暖和自然的声学环境的实际处理能力的02R96充分利用。
无缝附加效应支持
该02R96VCM提供了所有5个完全支持雅马哈的附加效果包（每包单独出售）。先进的效果，这些软件包提供的信号处理能力是通过访问和主机的相同的方式经营的内部影响处理器的内置效果。
一家大影业公司经理的演变

该混频器的Studio Manager应用发生了重大演变，现在是一个主机应用程序，可以支持诸如02R96编辑器（多个编辑）在其框架内。这提供了包括项目总记得，更流畅的在线和离线编辑多个02R96单位有很多好处。其他一些增强功能，包括各种附加效果的支持，多窗口，并改善整体的可操作性，通过快捷键，键盘操作，拖放，并使用主机的远程用户定义的键打开和关闭窗口。在控制台窗口现在提供了一个快速在线/离线开关，能够显示或隐藏参数块，用户可分配层，长冲程米，快速跳转到选定的通道中双击均衡器窗口，并显示数值推杆水平。费德窗口和一个主计窗口已被列入国家级监测更容易掌握，以及48通道和增益衰减计量表同步显示。另外还有一Automix库窗口，使得它更容易使用automix。所选通道的窗口现在显示门式和长冲程通道米。该修补程序编辑窗口可以调整大小，提供PM1D状光标的形状和运作，并有可能列出和编辑端口名称。在库窗口中，您可以操作多个场景和库同时，记得他们直接从硬盘上，并与现场的回忆补丁库链接。如同02R96本身，环绕编辑窗口现在支持6.1通道。您也可以使用编辑器窗口的作用操纵杆来控制电流/ REV的REV的立场的5.1效果。

数字调音台雅马哈02R96VCM规格：
·一般规格
·内部处理：32位（蓄电池58位）
·采样频率率：内部44.1千赫，48千赫，88.2千赫，96千赫;外部正常率 - 44.1千赫（-10％）至48千赫（6％），双率 - 88.2千赫（-10％）96千赫（+6％）
·费德：25倍100毫米机动，触摸感应推子
·总谐波失真（输入增益=最小。）：小于0.05％，20至20千赫@一十四分贝到600Ω，小于0.01％，1kHz时为600Ω@ 18分贝;甲烷输入到立体声输出（@采样频率= 96千赫）
·频率响应：0.5，- 1.5dB的，20至20千赫@4分贝到600Ω（@采样频率为48千赫），0.5，- 1.5dB的，20至40千赫@4分贝到600Ω（@采样频率为96千赫）
·灵活范围：（最高级别的噪音水平）; 110dB的典型。 DA转换器（立体声输出）;一百〇五分贝典型。公元+大（立体声输出）
·坎及噪音水平**（20Hz至20kHz的），卢比=150Ω，输入增益=最大，投入垫= 0dB的，=- 60dB的输入灵敏度：-128分贝等效输入噪声。（20至20千赫），- 92dB的残余输出噪音。立体声输出，立体声输出关闭。; - 92dB的（九八分贝的S / N）的立体声输出，立体层次，全方位的名义甲烷输入推子推子在最低水平; -64分贝（68分贝的S / N）的立体声输出，立体声的名义水平和推子1甲烷输入推子在名义水平
·串音（@ 1kHz时）：输入增益=最小：70dB的相邻输入通道（通道1至24）; 70dB的输入输出
·电源要求：AC120V，60赫兹，功率200W
·功率消耗：功率190W（与MB02R96）
·尺寸（宽x高x深）：02R96：667 x 239 x六九七毫米/ 26.3 x 9.4 x 27.4，与奔驰和SP：700 x 352 ×762毫米/ 27.6 x 13.9 x 30.0
·重量：02R96：三十四公斤/七五英镑，与奔驰和SP：39.4公斤/86.9英镑
数字调音台雅马哈02R96VCM特点：
·精密24-bit/96-kHz音频和高性能头放大器
° 56 - 18输入总线混合能力在96千赫
·强大的功能与灵活的控制通道和修补
§ 4先进的多处理器包括环绕声效果的影响
·全面的接口与触摸敏感100毫米电机推杆
· 02R96提供的编辑软件
·先进的数字音频工作站或数码录像机一体化
·一个理想平台环绕生产
·增强的环绕监测环境包括低音管理
在02R96版本2的新功能
数字音频工作站控制：
·高级Nuendo的支持。
·使用Pro Tools的遥控器来控制环绕平移。
·控制MMC/P2从数字音频工作站的远程运输层。
环绕特点：
·平移6.1和6.1的监测。
·环绕总线设置。
·对齐声压级85分贝。
·环绕锅开/关（使用后续泛开关）。
·同时试镜的环绕监察来源（公共汽车+ Assign1任务，公共汽车+ ASSIGN2）。
广播的特点：
·混合减函数。
·密码保护的操作锁定。
·预推子独奏锅。
·前后/独奏释放。
· 1千赫/ 400赫兹双振荡器。
现场调音台的特点：
·用户可分配层。
·集团总推子（用户可分配层）。
·集团主静音（用户定义的键）。
·即时分配组（用户定义的键）。
·辅助前推杆上预（辅助前点）。
·全球粘贴到多个场景。
·即时辅助监测（辅助/独奏链接）。
·全球消失的时间/全球召回安全。
·增益减少，用于所有通道仪表显示。
生产特点：
· Automix静态插入。
其他：
·支持附加效果。
·新增性别均等指数参数（高/低触发器，锁存/ unlatch）。

One of the world's most popular digital production consoles just got a lot more powerful.

The 02R96VCM Mixing Console is backed by the strong reputation of Yamaha's line of production mixers that have evolved over time in response to user needs: the 02R, debuting in 1995 and a fundamental reason for Yamaha's 2007 Technical Grammy Award, 2002's 02R96, and the 02R96 Version 2 released in 2004.

Featuring 56 input channels and 18 mixing busses, the Yamaha 02R96VCM digital mixing console incorporates the impressive processing power of a custom Yamaha DSP7 LSI and offers the same array of robust channel functions as the DM2000 on its inputs and outputs. Its "selected channel" system fuses the controllability of a digital mixer with the feel of an analog desk for fast, intuitive operation when you need it. The analog input stages on the 02R96VCM mixer feature head amps descended from those of the DM2000, developed with the input of engineers from around the world to provide transparent sound that's perfect for the professional domain.

Want more? Take a look at the 5 plug-in packages that give you both space and creativity in the production workplace. Or consider the digital domain where EQ, compressor, tape saturation and guitar effector VCM plug-ins offer the warmth and depth of analog circuitry. The Yamaha 02R96VCM also boasts the outstanding REV-X reverb algorithm introduced in the SPX2000. What's more, it comes equipped with iSSP technology that makes creating realistic sound fields easy, giving you functionality within the console that would otherwise require outboard effects.

Versatile V2 features plus a formidable array of plug-in processors

The Yamaha 02R96VCM digital mixer is the 02R96 Version 2 plus a formidable array of state-of-the-art processing technologies that provide all-new production power. You now have extraordinary recreations of classic compression and EQ units from the 70's, simulations of several legendary analog open-reel tape decks, a complete suite of unmatched REV-X reverb effects, a surround post-production package that is second to none, and even a selection of vintage stomp boxes to spice up your mixes. And all of this is right at your fingertips, with no need to patch in external processors.

VCM Technology

VCM technology is responsible for the classic compressor, EQ, analog tape deck, and stompbox effect simulations in the 02R96VCM. VCM (Virtual Circuitry Modeling) technology actually models the characteristics of analog circuitry - right down to the last resistor and capacitor. VCM technology goes well beyond simply analyzing and modeling electronic components and emulating the sound of old equipment. It's capable of capturing subtleties that simple digital simulations cannot even approach, while actually creating ideal examples of sought-after vintage gear.

iSSP Technology

iSSP technology is the key to the 02R96VCM's incredible selection of surround post-production effects.

iSSP stands for "Interactive Spatial Sound Processing," and is Yamaha's original new spatial sound effect system. Designed through extensive research and exhaustive testing, this technology offers unparalleled reality, operability and originality for surround processing applications. It delivers unprecedented sound-field positioning precision and versatility, as well as realistic sound source movement effects with simple operation that allows simulations of an almost unlimited variety of spatial environments.

REV-X

"REV-X" is the advanced algorithm behind Yamaha's newest generation of reverb and ambience programs, offering unprecedented reverberation depth and realism with smooth decay. REV-X technology takes full advantage of the 24-bit 96-kHz processing capability of the 02R96 for reverb and ambience effects that have the reassuring warmth and reality of natural acoustic environments.

Seamless Add-on Effects Support

The 02R96VCM provides full support for all five of Yamaha's Add-on Effects packages (each package is sold separately). The advanced effects and signal-processing capabilities provided by these packages are accessed and operated via the console's internal effect processors in the same way as the built-in effects.

A Major Studio Manager Evolution

The mixer's Studio Manager application has undergone a major evolution, and is now a host application that can support multiple editors (such as the 02R96 Editor) within its framework. This offers many advantages including total project recall and smoother online and offline editing with multiple 02R96 units. A variety of other enhancements include Add-on Effect support, multiple windows, and improved overall operability through shortcuts, keyboard operations, drag and drop, and using the console's User Defined Keys to remotely open and close windows. The Console Window now provides a quick online/offline switch, the ability to show or hide the parameter block, user assignable layers, long stroke meters, quick jump to the Selected Channel window by double-clicking the EQ section, and numerical fader level indication. A Master Fader window and Meter window have been added for easier master level monitoring as well as simultaneous meter display for 48 channels plus gain reduction metering. There's also an Automix Library window that makes it much easier to use automix. The Selected Channel window now shows gate type and long-stroke channel meters. The Patch Editor window can be resized, provides PM1D-like cursor shape and operation, and makes it possible to list and edit the port names. In the Library window you can operate multiple scenes and libraries simultaneously, recall them directly from hard disk, and link scene memories with patch libraries. As with the 02R96 itself, the Surround Editor window now supports 6.1 channels. You can also use the joystick in the Effect Editor window to control the ER/REV position of the REV 5.1 effect.

Yamaha 02R96VCM Digital Mixing Console Specifications:
· General specifications
· Internal processing: 32-bit (Accumulator 58-bit)
· Sampling frequency rate: Internal 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz; External Normal rate - 44.1 kHz(-10%) to 48 kHz(+6%); Double rate - 88.2 kHz(-10%) to 96 kHz(+6%)
· Fader: 25x 100mm motorized, touch sensitive fader
· Total harmonic distortion (Input Gain=Min.): Less than 0.05%, 20Hz to 20 kHz @+14dB into 600Ω; Less than 0.01%, 1kHz @+18dB into 600Ω; CH INPUT to STEREO OUT (@Sampling frequency = 96 kHz)
· Frequency response: 0.5, -1.5dB, 20Hz to 20 kHz @+4dB into 600Ω (@Sampling frequency = 48 kHz); 0.5, -1.5dB, 20Hz to 40 kHz @+4dB into 600Ω (@Sampling frequency = 96 kHz)
· Dynamic range: (maximum level to noise level); 110dB typ. DA Converter (STEREO OUT); 105dB typ. AD+DA (to STEREO OUT)
· Hum & noise level ** (20Hz to 20kHz), Rs=150Ω, Input Gain=Max, Input Pad=0dB, Input Sensitivity=-60dB : -128dB Equivalent Input Noise.(20Hz to 20 kHz); -92dB residual output noise. STEREO OUT; STEREO OUT off.; -92dB(98dB S/N) STEREO OUT; STEREO fader at nominal level and all CH INPUT faders at minimum level; -64dB(68dB S/N) STEREO OUT; STEREO fader at nominal level and one CH INPUT fader at nominal level

· Crosstalk(@1kHz): Input Gain=Min: 70dB adjacent input channels (CH1 to 24); 70dB input to output
· Power requirements: AC120V, 60Hz, 200W
· Power consumption: 190W (with MB02R96)
· Dimensions (W x H x D): 02R96: 667 x 239 x 697 mm / 26.3 x 9.4 x 27.4 in, With MB and SP: 700 x 352 x 762 mm / 27.6 x 13.9 x 30.0 in
· Weight: 02R96: 34kg / 75lbs, With MB and SP: 39.4kg / 86.9lbs
Yamaha 02R96VCM Digital Mixing Console Features:
· Precise 24-bit/96-kHz Audio and High-performance Head Amps
· 56-input 18-bus Mix Capacity at 96 kHz
· Powerful Channel Functions with Flexible Control and Patching
· Four Advanced Multi-effect Processors Include Surround Effects
· Comprehensive Interface with Touch-sensitive 100-mm Motor Faders
· 02R96 Editor Software Supplied
· Sophisticated DAW or Digital Recorder Integration
· An Ideal Platform for Surround Production
· Enhanced Surround Monitoring Environment Includes Bass Management
New Features in 02R96 Version 2
DAW Control:
· Advanced Nuendo support.
· Use Pro Tools remote to control surround panning.
· Control MMC/P2 transport from the DAW remote layer.
Surround Features:
· 6.1 panning and 6.1 monitoring.
· Surround bus setup.
· Snap to SPL 85 dB.
· Surround pan on/off (using the Follow Pan switch).
· Simultaneous auditioning of surround monitor sources (BUS+ASSIGN1, BUS+ASSIGN2).
Broadcast Features:
· Mix-Minus function.
· Password-protected operation lock.
· Pre-fader solo with pan.
· Fader/solo release.
· 1 kHz / 400 Hz dual oscillator.
Live Sound Features:
· User-assignable layer.
· Group master faders (user-assignable layer).
· Group master mutes (user-defined keys).
· Instant group assign (user-defined keys).
· AUX pre-fader pre-ON (AUX pre-point).
· Global paste to multiple scenes.
· Instant AUX monitoring (AUX/solo link).
· Global fade time / Global recall safe.
· Gain reduction meter display for all channels.
Production Features:
· Automix static insert.
Others:
· Support for add-on effects.
· Added GPI parameters (high/low trigger, latch/unlatch).